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5 Albums I Can’t Live Without: Chris Noe

I probably feel the need for hundreds of albums in my life but I am going to justify these five albums as being the ones that forever belong in my heart and will always make themselves available to rescue my soul from pain and also provide a musical solace for me. The following five are the ultimate records that I felt the need to buy on CD or Vinyl at some point and play them numerous times (like thousands of times) to the point where they’re engraved in my brain. To know the essence of Chris Noe, you must surrender yourself to this music….


  1. The 1970’s were filled with great albums and musicians that rocked the airwaves. Among all of these great offerings by bands such as Led Zeppelin, The Rolling Stones, Black Sabbath and The Who; I found myself drawn to Pink Floyd and their brilliant album Wish You Were Here. This one from 1975 is easily Pink Floyd’s best album. IMHO. When I say best I don’t mean it in terms of popularity or critical acclaim, that one belongs to Dark side of the Moon. But musically and lyrically it is the bands most accomplished piece of work.  This album is a great follow-up to Dark Side of the Moon. This is an often overlooked treasure within Pink Floyd’s music catalog. It has survived the test of time well and is finally receiving more attention it deserved when it was first released. At least I have noticed that. It is an essential Pink Floyd album and I mean no disrespect to “The Wall” which is when Roger Waters started to take over, but its the last great album the band produced. Wish You Were Here is very much dedicated to the founder Syd Barrett, who freaked out years before: and there’s funny songs about the evils of the music business (“By the way, which one’s Pink?”), and the touching ones about the band’s mysterious friend. The real star of the show, although, is the amazing production–with David Gilmour getting lots of room for his most creative guitar playing ever. That’s my story and I am sticking to it!

2. I graduated from high school, was attending various graduation parties and this album was playing at one of them. It immediately grabbed my attention. The summer of 1994 I started to believe I was Trent Reznor. I loved his music featured in the films Natural Born Killers and The Crow. When I bought the cd, I listened to it on buses, car trips, in my college dorm and just simple walks around the neighborhood. I was absolutely OBSESSED!!!This album is considered Nine Inch Nails’ most controversial and disturbing work. They (He) completely change the image that was first seen on “Pretty Hate Machine” to something much darker and emotional. The result is a very successful and complex masterpiece that takes you to places you have never been in the music world. With each track you step in further and further into Reznor’s mind. “The Downward Spiral” is an outstanding album and will always remain a classic.
The songs are much more complex and have more structure to them than the ones that appear on “Pretty Hate Machine” and “Broken.” There are heavy songs, and there are soft songs. There are disturbing songs, and there are beautiful songs. You get to experience something different with each song.
The great thing about this album is, just like with any other NIN album, no two songs are the same. Each one has its own identity and feeling to it. Another plus is that there is not a single bad song on the entire album. My favorites are “mr. self destruct,” “march of the pigs,” “closer,” “the becoming,” “a warm place,” “eraser,” “I do not want this,” “ruiner,” and “hurt.” I might as well say ALL OF THEM!!! LOL
“The Downward Spiral” is an amazing album. Reznor knows how to make great music and continues to impress us even to this day. Be warned, though. This album isn’t for everyone. It is indeed a very controversial and even sometimes offensive album. But if you love Nine Inch Nails, then this is a must-have. It is a CD I continue to listen to over and over again. It never ceases to amaze me. A classic to the very end.


3. So I have a guy named Matt to thank for getting me into the band Tool. In high school he would periodically loan me tapes to listen to. When I first heard the album Undertow, my life changed. Flash forward to the year 2001. The album Lateralus is released during a time when our country was invaded by terrorists. However, I was personally moved and deeply touched by Maynard and the gang in a very positive way.

Everything about Tool’s third album is an experience, starting with the packaging, which consists of liner credits printed on a translucent plastic sleeve over the CD and a booklet that layers anatomical representations atop one another. The first page pictures musculature and blood vessels; the next, bones; the third, internal organs; and so on. It’s worth describing the packaging of Lateralus because it says much about the astonishing music within.

With Lateralus, Tool have raised an already lofty bar still higher by coming up with a collection that reaches amazing heights. Lateralus, like I said was released in 2001, it has got to be one of the more groundbreaking musical releases since the mid-80’s and early 90’s. Lateralus is a long, well thought out musical masterpiece that draws parallels to Pink Floyd’s “Dark Side of the Moon.” This whole record is just full of amazing progressive rock and it is nearly impossible to fathom that human beings actually wrote and then performed this type of music. Every song has layers and sub-layers and sub-sub-layers.

You do not listen to this album…you surrender yourself to it. The experience of Lateralus penetrates deeper than the brain — it is deeply spiritual and uplifting. Nothing comes close to obsessing my world of the first decade of the 2000’s like this one.


4. I was a Senior in High School in 1993 when this glorious record came out! Everything fell into its right place with this one. Gish was stunning! But Siamese Dream was a masterpiece!!!

Every artist has their “crowning achievement”

I think Smashing Pumpkins were one of the greatest rock bands of the 90’s, easily.

Billy Corgan has been one of my favorite guitarists. His work on the studio albums Gish, Siamese Dream and even Mellon Collie (1995) is brilliant, layering guitar upon guitar with brilliant riffs and awesome solos.

His lyrics are often depressed and angry, but they show hope and beauty too. Lyrics aren’t usually as important to me as music, but Billy Corgan writes good ones, in my opinion. For a rock star, he surprises me with the kind of songwriting talent.
“Cherub Rock” opens up with a distinguishing drum roll followed by simple clean guitar playing the main riff. Within less than a minute, a wall of guitars is hitting you, but it’s still extremely listenable. The melodies of this song are awesome, and I’d bet you’ve heard it on the radio.

“Quiet” is an assault of layered metal riffs. “Today” is another radio song. It’s one of the weaker songs on the whole, but I think it’s still pretty nice and ironically a lot of people’s favorite song.

“Hummer” is nearly 7 minutes long, with several different parts and great textures and melodies. “Disarm” is a beautiful acoustic guitar and vocal track, with strings added (that are good and not cheesy).

“Soma” starts with a peaceful clean guitar riff, but explodes into a wall of distorted guitars and wild leads. I still pull out my acoustic guitar once in a while and play the tabs to this one.

“Geel U.S.A.” is one of the best rockers, and one of the most layered. I don’t know how many guitars are in this song, but I’m pretty sure it’s more than 12 or so. Think My Bloody Valentine-esque The solo is wildly energetic, and the metal riffs are awesome.

“Mayonaise” is gorgeous and noisy at the same time. It’s my personal favorite.

There are no bad songs. Or else it wouldn’t be on my list. Duh!!!
When I first got into the Pumpkins back in 1991, I didn’t like Billy Corgan’s voice that much, but I grew to really appreciate it. The wall of sound created by Billy Corgan’s guitars combined with his original voice and songwriting is also backed up by the experienced drumming of Jimmy Chamberlain. He used to be in a jazz band apparently, and the guy definitely knows what he’s doing.
James Iha and D’Arcy are respectively great rhythm and bass guitarists as well but they are unfortunately known more for their live contributions because Billy tended to prefer taking over in the studio. This was always the one controversial fact about the pumpkins.

If you want my opinion (I guess you do, if you’ve read this far), this is one of the best rock albums of the 90’s, and you should buy it. Highly recommended. 

5. Funny story about this one. My mom and dad found this laying around, shortly after I bought it. They listened to it (well parts of it) and glanced at the lyrics and album cover and hated it. They threw it in the trash and did NOT want me to have it. Somehow I acquired it again and still kept listening to it. I think they wanted to make sure that I didn’t get influenced by Satan, or whatever! LOL

My friend Jason and I were hanging out at the mall and went into a Sam Goody Record store. We each picked out a cd. This was the one I bought. I initially was attracted to the cover. I too was attracted to the lyrics I read in the sleeve. I couldn’t wait to go home and listen to it.

This is definitely one of the best metal albums of all time and should be on anyone’s top ten list of all time. Megadeth has not produced a CD of this greatness before or since. Don’t interpret this as not liking their other stuff. But this is the first one I tend to pull out to listen to in its entirety. The guitar playing and Dave Mustaine’s growling voice just don’t get any better. My ultimate favorite songs are “The Conjuring” and “Bad Omen”.

Even the cover art is awesome and puts forward the premise of “Peace Sells…But Who’s Buying”. This one along with Metallica’s “Ride The Lightening” sums up the state of today’s world.

If you’re a metal head, this CD is a must buy!!! That’s all….carry on. 🙂

btw……I think my parents will forgive me on this one 🙂


Okay so there you have it. records i cant live without because we have history together and i am addicted to their sounds.

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Album Reviews music

The Year of Tool

This is my one and only Tool post: I have been a hard core fan of the band for 26 years. I absolutely love all of their recordings. I saw them live 4 times. I’ve worn their t shirts and hung up posters. Pink Floyd is my favorite band of all time. But Tool is a close second.

Am I biased? Hell yes! 😂 However, as much as I would like to complain and whine about their newest record after 13 years and say it was a disappointment, I cannot do that whatsoever because it’s an absolute masterpiece!!!

It really is! It’s their most mature album yet. It’s complicated and intense. The drumming is out of this world! Danny really shines! Justin’s bass and Adam’s guitar both are technically so genius and precisely amazing and exactly perfect. It surpassed my expectations by miles.

Maynard’s vocals were added later after the music was laid down. His approach is astonishing. As always his contribution is the icing on the cake or the cherry on top. He has matured so much over the years.

This album pays homage to all their previous works and is so current and relevant today. It goes without saying but I’ll say it anyway: this album is a 5 star classic and could very well be their greatest album ever and is not only their crowning achievement but might actually be their swan song. What a way to please us die hard fans. Wow!!!⭐️ ⭐️ ⭐️ ⭐️ ⭐️

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Album Reviews artists interests

My Top Favorite Music From 2016

In no particular order, these are my favorite music releases from this year:

 

 

 

Angel Olsen……My Woman

Car Seat Headrest……Teens Of Denial

David Bowie……Blackstar

Kristin Kontrol……X-Communicate

Melanie Martinez……Cry Baby

Nice As F*#K……Self Titled

Nick Cave & The Bad Seeds……Skeleton Tree

Phantogram……Three

Radiohead……A Moon Shaped Pool

Savages……Adore Life

Sunflower Bean……Human Ceremony

Pink Floyd……The Early Years, 1967-1972 (Cre/ation)

HAPPY NEW YEAR!!!!

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40 Years of Noe

2005 and 2006 Album Choices

In 2005, Beck released an album entitled “Guero.” Beck switches up his sound all the time, but this is probably one of my favorite of his artistic personalities. There’s a distinct electronic element throughout the album, but it’s peppered with touches of rock, folk, and dare I say hip-hop! E-Pro is a monster, and Hell Yes gets stuck in my head every time I listen to it

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In 2006, Tool released their last album “10,000 days.”This is less mathematic than Lateralus (I love math rock), but this album is a true piece of art, especially “Right In Two.” Also I found Rosetta Stoned one of the most difficult songs Tool ever released. There is a bit of Folk on 10,000 Days (Wings Pt 2). Vicarious is also a key track. 🙂
PS: loved the stereoscopic glasses and the 3D artwork.

10000Days

 

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40 Years of Noe

#Tool #Lateralus #2001 #Music

 

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So I have a guy named Matt Duve to thank for getting me into the band Tool. In high school he would periodically loan me tapes to listen to. When I first heard the album Undertow, my life changed. Flash forward to the year 2001. The album Lateralus is released during a time when our country was invaded by terrorists. However, I was personally moved and deeply touched by Maynard and the gang in a very positive way.

Everything about Tool’s fourth album is an experience, starting with the packaging, which consists of liner credits printed on a translucent plastic sleeve over the CD and a booklet that layers anatomical representations atop one another. The first page pictures musculature and blood vessels; the next, bones; the third, internal organs; and so on. It’s worth describing the packaging of Lateralus because it says much about the astonishing music within.

While it remains in the Tool tradition of trance-inducing progressive metal, Lateralus is tighter, clearer, crisper, and all around a notch above their admirable previous releases. Aenima was flawed by muddy production and a certain predictability. Don’t get me wrong, I truly enjoyed that album. Undertow had a cleaner sound but wasn’t as confident or adventurous. It was an adventure in high school that catapulted me into the world to begin my Tool adventure but I have moved on since then.

With Lateralus, Tool have raised an already lofty bar still higher by coming up with a collection that kicks major ass. Lateralus, like I said was released in 2001, it has got to be one of the more groundbreaking musical releases since the mid-80’s and early 90’s. Lateralus is a long, well thought out musical masterpiece that draws parallels to Pink Floyd’s “Dark Side of the Moon.” This whole record is just full of amazing progressive rock and it is nearly impossible to fathom that human beings actually wrote and then performed this type of music. Every song has layers and sub-layers and sub-sub-layers.

You do not listen to this album…you surrender yourself to it. The experience of Lateralus penetrates deeper than the brain — it is deeply spiritual and uplifting. Nothing comes close to obsessing my world of the first decade of the 2000’s like this one. TOOL ROCKS!

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40 Years of Noe

#Radiohead #KidA #2000 #Music

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This is my favorite album released in the year 2000

Welcome to the next Millennium!

Is it possible to fall in love with “Kid A”?  Maybe. It’s a love it or hate it album. But I can unconditionally recommend giving it at least one try, especially if you’re a fan of “OK Computer” or “Bends”.

Why? Because “Kid A” is Radiohead’s true masterpiece, that’s right, even more so than “OK Computer”. It takes the rule book and rips it apart in two, managing to be so many different things in so many ways that it’s almost indescribable. Thus, this “review” will really wind up being a short guide to listening to “Kid A”, to give the reader some concept of what experiencing the album feels like.

How do you listen to “Kid A”?   Since it’s not for everyone.

Expect the unexpected. As many shocked listeners discovered when “Kid A” was released, it is NOT like their first 3 albums at all!! ” It is a Radiohead album, make no mistake, but it sounds like nothing you’ve ever heard before. In a good way. Do yourself a favor and leave any concept of what you might hear at the door. Form your own experience of what you hear, and allow yourself to be startled by it. It’s OK, the water’s fine. Dip your toes in for a bit.

Listen to the Entire Album. At least once. “Kid A” flows more than any previous Radiohead work – it’s supposed to be experienced as a single, cohesive whole, the only possible break being “Treefingers”, which acts as an intermission of sorts. It’s not a terribly long album – you can do it, set aside 49 minutes and do the album justice.

Finally, Give it Time….to percolate.  “Kid A” is an album that absolutely refuses to give everything up on first listen. Nothing will be obvious immediately. You’ll need to engage it actively if you want to enjoy it completely. Does music always have to be work? No, but in this case it’s well worth the trouble.

If you still don’t like, well then that’s OK too. 🙂

 

 

 

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40 Years of Noe

My top 90’s Ten Albums (90-99)

Find out more by reading my previous blogs……

 

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40 Years of Noe

#Madonna #1998 #Music

1998 was a difficult year for me. But not without redemption and solace.

My parents got divorced. It wasn’t pretty.

I lost my job working at the movie theater for 4 years. Spent the summer working odd jobs until I found stable employment.

I got arrested for being an idiot. Wrong place at the wrong time.

My grandfather died the day we helped move my sister into her college dorm. I read the eulogy at his funeral.

But through it all, I listened to the album “Ray of Light” by Madonna. Without her voice and music, that year could have been much worse possibly. In and of itself, this is a wonderful album. This was a comeback record for her. She took things into a newer and more spiritual direction. Madonna, herself,  was maturing and growing. I found much healing power listening to this album. She reassures the comfort of saying goodbye.

I had to say goodbye to my Grandpa who held the extended family together. With the divorce, I also had to wave goodbye to the structure of our immediate household family. This year was a challenging one.

Opening and closing the heart.

Madonna deeply connects with family matters. After all, 1989’s “Like a Prayer,” dealt with the breakup of her marriage, her mom’s death, and the estranged relationship with her father All of these things shattered the belief that Madonna was an artist that relied on hit singles. The deep and expressive set of music on “Like a Prayer,” made for a mature album that could be enjoyed from start to finish.

Unfortunately, subsequent recordings weren’t as sharp: “Erotica” and “Bedtime Stories” definitely had their moments but also had their share of filler. Then along came 1998’s “Ray of Light.” This picks up on the flip side of “Like a Prayer”: this time around, Madonna’s the parent, and the topic of family provides a springboard for reflections on love versus fame and what a grown adult considers truly important.

Adding to the mix is her collaboration with electronica producer William Orbit, making “Ray of Light” one of the most mature and satisfying albums of dance music that I have personally heard.
And while the opening track gets things off to an unexpected start with a hypnotic slice of slow rock, the lyrics of “Drowned World/Substitute for Love” set the pace of the record.  Halfway through the song the music takes a break and Madonna distances herself from side-effects of fame.  As the song continues the decibel level grows until both Madonna and her music are at an in-your-face level, clearly declaring that fame may be nice but enough is enough.
The dance-club friendly track, “Nothing Really Matters” is another summation of her new point of view; singing to her newborn daughter, the onetime Material Girl admits that she once “lived so selfishly,” but now “everything’s changed.” The concept is simple but nonetheless a touching one.
Not all the lyrical content is parental, however. And then the midtempo “Power of Goodbye” and the near-Bossa Nova “To Have and Not to Hold” are flat-out love songs, albeit doomed ones. This is where I found most of my connections, during this portion of the album.

All in all, “Ray of Light” marks her most successful connection with dance music and her most compelling efforts as a lyricist. It’s a relief to know that, years after enjoyable ear candy like “Holiday” and “Like a Virgin,” Madonna grew up and matured over the years just like the rest of us. As she observes on “Sky Fits Heaven”: “isn’t everyone just travelling down their own road/watching the signs as they go/I think I’ll follow my heart/it’s a very good place to start.”

Very good? Some would say brilliant.

 

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40 Years of Noe

Siamese Dream #1993 #music

The-Smashing-Pumpkins-Siamese-Dream

I was a Senior in High School in 1993 when this glorious record came out! Everything fell into its right place with this one. Gish was stunning! But Siamese Dream was a masterpiece!!!

Every artist has their “crowning achievement”

I think Smashing Pumpkins were one of the greatest rock bands of the 90’s, easily.

Billy Corgan has been one of my favorite guitarists. His work on the studio albums Gish, Siamese Dream and even Mellon Collie (1995) is brilliant, layering guitar upon guitar with brilliant riffs and awesome solos.

His lyrics are often depressed and angry, but they show hope and beauty too. Lyrics aren’t usually as important to me as music, but Billy Corgan writes good ones, in my opinion. For a rock star, he surprises me with the kind of songwriting talent.
“Cherub Rock” opens up with a distinguishing drum roll followed by simple clean guitar playing the main riff. Within less than a minute, a wall of guitars is hitting you, but it’s still extremely listenable. The melodies of this song are awesome, and I’d bet you’ve heard it on the radio.

“Quiet” is an assault of layered metal riffs. “Today” is another radio song. It’s one of the weaker songs on the whole, but I think it’s still pretty nice and ironically a lot of people’s favorite song.

“Hummer” is nearly 7 minutes long, with several different parts and great textures and melodies. “Disarm” is a beautiful acoustic guitar and vocal track, with strings added (that are good and not cheesy).

“Soma” starts with a peaceful clean guitar riff, but explodes into a wall of distorted guitars and wild leads. I still pull out my acoustic guitar once in a while and play the tabs to this one.

“Geel U.S.A.” is one of the best rockers, and one of the most layered. I don’t know how many guitars are in this song, but I’m pretty sure it’s more than 12 or so. Think My Bloody Valentine-esque The solo is wildly energetic, and the metal riffs are awesome.

“Mayonaise” is gorgeous and noisy at the same time. It’s my personal favorite.

There are no bad songs. Or else it wouldn’t be on my top 40 list. Duh!!!
When I first got into the Pumpkins back in 1991, I didn’t like Billy Corgan’s voice that much, but I grew to really appreciate it. The wall of sound created by Billy Corgan’s guitars combined with his original voice and songwriting is also backed up by the experienced drumming of Jimmy Chamberlain. He used to be in a jazz band apparently, and the guy definitely knows what he’s doing.
James Iha and D’Arcy are respectively great rhythm and bass guitarists as well but they are unfortunately known more for their live contributions because Billy tended to prefer taking over in the studio. This was always the one controversial fact about the pumpkins.

If you want my opinion (I guess you do, if you’ve read this far), this is one of the best rock albums of the 90’s, and you should buy it. Highly recommended. Here’s a video:

 

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40 Years of Noe

Depeche Mode #1990 #music #favorite

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When I was a freshman in High School, I went to a Halloween “sock hop.” There was a limbo contest. I won! I got to go up on stage by the dj and choose a prize from the box. Based on pure looks at the time, I chose a cassette tape by the band Depeche Mode. The cassette was entitled “Violator.”

Who knew this would turn out to be one of my favorite recordings of all time. I played the taped all the time after I took this prized possession home. Days turned into weeks which turned into months and beyond. I feel that at age 14, I found my first musical obsession.

What makes this record so great?

“World In My Eyes” kicks off the album. The opening lyrics “Let me take you on a trip, around the world and back, and you won’t have to move, you just sit still”, you know that you are in for one serious trip here. This song is without question one of the best songs on this album, and also one of my favorite Depeche Mode songs as well. I just love it.

Violator is an amazing piece of euro-alt-dance-pop that has a huge dance floor appeal while at the same time makes one think and feel. This is a crowning achievement for Depeche Mode’s brilliant lyrical and orchestral composition talents. Accessible to all with brilliant pieces of poetry, addictive dance beats and techno hooks, and beautifully crafted videos. Like this one: