Categories
Memories Poetry

UNITED TOGETHER (a poem)

JAZZ

i am trying to connect
with the roots
of the Harlem Renaissance

hey Man
i was in church
the other day
staring at the cross
pondering its meaning
reminded me somehow
of Langston Hughes
a Negro who was
neither black nor white
he wrote some poetry
one of them called “cross”
white old man
black old mother
lived and wrote
in Harlem

hey man
have you heard
Bird
on a sax
jazz…oh so truly American
do you remember the weary blues?
i love those lines:
“Coming from a black man’s soul
In a deep song voice
with a melancholy tone.”

i’m talking to you
the Negro Spirit
i’m thinking about Langston Hughes
why?

what is a Negro?
is he the essential American?
out there always finding
solace
his meaning out there
on the streets of Harlem

abstract morality

you bind together
in the village
the bronx

Harlem
you have something
in common
a lot of you believe
in the same things

live and let live

you can be happy
without becoming a millionaire
maybe you feel
like you belong there
its the general feeling

a brotherhood

awakening race
consciousness
a cultural movement
rebirth
New York City
the center of change
accomplishments of the past
created a livelihood now
an interest
in Negro life

and power to the people
it must have been insane
a revolution of thoughts
you are the roots
of possibility
and i am inspired

Christopher Noe
Copyright 2013

Categories
Album Reviews artists

Coming in 3rd place….ARCADE FIRE

ARCADE

REFLEKTOR

Who are we?
Where are we going?
I am someone who is distracted
Aren’t we all distracted?

Attention Deficit Disorder
is a modern day problem
But when it comes to music like this
None of it matters anymore

It’s one of Indie Rock’s finest moments
with a full spectrum of music influences
Rock
Reggae
Folk
Jazz
Pop
Punk meets Gary Glitter

Now I admit that I just wasn’t always a fan of Arcade Fire. Not sure why. I simply wasn’t feeling the grooves before this DOUBLE album came out in October. For two months straight I have been playing this record repeatedly. So many touching songs. There are numerous dancing moments that suddenly get shattered into a million disco pieces smothered by hardcore punk and then swallowed whole by Bob Marley’s spiritual side. It can be silly at times when this Canadian group speaks of Joan of Arc in a Doo Whop style. Boy its just all over the place. It never gets boring. There are live induced moments that seem reminiscent of old radio programs at times and then it just takes off into these cosmic space directions. In a strange way I am reminded of Pink Floyd’s The wall mixed with a jazzy disco groove.

Perhaps to say that there is a U2, Radiohead, Neil Young and Velvet Underground vibe all mixed up on this record would not do it justice. Because its a double album, one could say that this is their ultimate concept album like so many others have done before. But its fun to take risks and let it all go and see what the masses have to say. After all we only have one life to live. Embrace this video below…..of the song…Afterlife. You just might get BLOWN AWAY!!!

Categories
Uncategorized

The Defenders of Vinyl Records

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When I was a small boy growing up, my mom and dad played records all the time. But if I told this to some kid on the street, his response would  be something like, “What the hell are those things?” So let me educate you. Dating back to 1877 when Thomas Edison invented the phonograph, this device reproduced and recorded the sounds of music like no other. There ‘s much debating over digital quality versus analog (vinyl records). I have both. In fact I have way more mp3’s and CD formats than I do records. But up until the early 1990’s, vinyl was the most popular medium for buying music. I enjoy vinyl records because of the novelty of the crackles, hiss and pops. The combination of the needle and the record, create this beautiful harmony that transports you back in time to the old ways of our forefathers.

I especially remember that my mom and dad’s record player could hold up to five of those 12-inch albums at a time and after one finished playing; the next one resting in the queue device would drop down and play. That memory is so clear in my head. Anticipation of each track was an electrifying thing, like I was sliding on the surface of that large disc spinning around.

I have a friend named Mark who sums up his recollection of  listening to records, “Nostalgia of my childhood and looking through my brother’s albums and pouring over the lyrics.” I am sure that the defenders of vinyl can relate to those kinds of moments. I have always cherished the artwork that is plastered on the front and back of the album jackets. Sometimes inside you’ll find a thin booklet with the tracks, song lyrics and occasionally there would even have a brief write up about the album inside.

My grandpa had this antique radio/record stereo.  A Victrola made by the Victor Talking Machine Co. and the precursor to RCA Victor. Grandpa would play these old records from the 30’s and 40’s on it. Comedy and Jazz music is what I remember or maybe it was Swing. After all, he and grandma went square dancing so maybe that’s the kind of music he enjoyed playing. It sure was a big honking thing! It collected a bunch of dust too. But nonetheless it was a neat thing that played  78’s. The number signifies how many rotations per minute it spins around. This was quite  a spectacular device he had.

The needle scratching on an album, freshly pulled from its sleeve, used to be something only the older folks enjoyed, but that’s changing. Vinyl records sales are on a rising trend. It seems as though the media has finally woken up. I feel that people like me are starting to despise music in general today because it’s intangible leaving us music lovers to feel empty and lost. Another music buff, Brian from my high school days related this to me, “I still enjoy CD’s. I just feel that if I am going to spend money on an album I would like to have something physical in return for the money I paid unlike buying an MP3 album. Also, the liner notes/lyrics are nice to have and read while listening to the album. I’d probably feel the same about vinyl but I am not ready to start buying all of the albums I own on CD again on vinyl.”

Vinyl is not just limited to your mom and dad’s old Donna Summer or Jethro Tull LP’s or what is known as a long-playing microgroove record. A wide variety of artists, past and present, are on the cover of these albums. So why on earth would anyone want to hear the new Katy Perry album on a turntable when one can easily and possibly illegally download the music? Simply put, more folks are acquiring a taste for the analog sound. It’s richer and has a lot more human elements about it.

Personally, I feel that digital is not as good as analog. Many disagree with my sentiments for the quality of wax cuts. They say that, with digital technology, the sound is cleaner and crisp. That may be true. Digital music is just so robotic, automatic and it’s way less emotional. How do you connect with….ummm……..air? There is no fear related to digital music.  No need to be careful how you handle mp3’s at all. That’s what you miss with digital technology. There is a secret thrill of possibly destroying your record by scratching it.

The sizzle of success when laying the needle down is pure enjoyment that no one on the face of the earth can contest that an iPod is anywhere near as dangerously thrilling as that. I say this because the analog sound has an impact on how one feels because it connects to emotions in a warm and fuzzy sort of feeling. My friend and college roommate Brett once said, “The crackling sound the needle makes at the exact moment it makes contact with the record is something I will always cherish. You don’t get that sound with any other medium.” I couldn’t agree more.

Just pick an album on LP and see if it reminds you of something wonderful in your life: a first date, first kiss, or your teenage years. Mine was hearing Michael Jackson’s Thriller for the first time in the autumn while the fireplace was burning and we had just gotten back home from a haunted house. As a seven year old, I was bedazzled. Those are the memories you cant buy. Those are the things that records provide. With an LP, one feels the music more, and it generally enhances any previous appreciation for the music. What is the driving force behind vinyl’s rebirth? The sound? Not necessarily. I think it’s more of the relationship with tactile memories and the simple beauty of this kind of sensory experience with music.

Sometime around 2007, records made a comeback. They are now being produced more and more today. Out here in the burbs of Chicago there are still mom and pop shops selling records. There are several record shows held in hotel convention halls for the privilege of browsing through those rare and old collections of vinyl. Even kids in junior high today are making comments like, “Haven’t you heard the NEW rave? All the cool kids have these things called records!” As endearing that is to hear, I hate to break it to those 13 year old kids that when I was in junior high and even when my dad was in junior high, we were already familiar with these things called records. But it’s nice to know that this old technology is truly connecting with today’s culture.

Album sales at independent record stores always seem to rise during the weekend of Record Store Day, which occurs annually on the third Saturday of April, as a tribute to these independent record stores. We just experienced the fifth anniversary of this event last weekend. I was there and it was like a nice little street party in the middle of the night. Probably 200 of us showed up to grab some wax music. I grabbed some real nice treats. One of which I will explore in greater detail in my next blog entry. So whether its a popular thing or not a fashion at all, vinyl continues to prevail. I understand now that this kind of style is a reflection of American culture and that people just want to hold on to it’s beauty.

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Originally published on 4/26/12

Categories
Top Ten of Ten

Top Ten of Ten: #2 Benny Goodman’s historic 1938 Carnegie Hall concert

205694413In the mid-1930s, Benny Goodman was a leader of one of the most popular musical groups in America. His January 16, 1938 concert at Carnegie Hall in New York City is described by critics as “the single most important jazz or popular music concert in history: jazz’s ‘coming out’ party to the world of ‘respectable’ music.” Benny Goodman’s January 1938 jazz concert at Carnegie Hall was important because it was actually one of the first rock ‘n’ roll concerts! If you are thinking “how this could be?”, you can either watch old clips of young folks at the concert that night, swaying and rocking in their seats, in an excitable manner… or you can just listen to the power exploding from your stereo speakers when you put this 2 CD-set into your player! This is an amazing album; a small slice of American music history. The fact that this kind of madness could be wonderfully caught in a single night just before WWII America simply amazes me. I also enjoyed the crackles.

Categories
Top Ten of Ten

Top Ten of Ten: #1 Louis Armstrong: Ken Burns JAZZ (The Definitive)

232758539No CD will truly cover a career of Louis Armstrong in just 25 tracks, but this one is probably as good as it gets. This is honestly the essence of Armstrong. Every track  is awesome. If someone is new to collecting Louis Armstrong, I highly suggest picking this one up. This spans most of his life (beginning in the early 1920’s) with all the best cuts. It features some of his finest and creative trumpet playing. There really isn’t a bad song here. Actually, the sound of his horn and his singing makes it impossible for Louis to ever have made a bad track, but this one is a must have for any music enthusiast out there. Armstrong was an American jazz pioneer and an icon. Ken Burns has done a wonderful compilation here. This CD truly deserves to be one of my top 10 favorites of all time! Overall it represents the birth of “cool” from the 1920’s. Louis was a creative genius, and his horn playing was one of the most beautiful and joyous things ever recorded.