A Poem Followed by a “CD/TAPE” Choice

THE DAY AFTER THE DEAD SHOW

madness, i was submerged in it
buses, vans
dancing girls in long brown dresses
starry eyed folks selling shirts
books, shrooms
“fungus?” they’d say
“want some brownies?” he yelled
“Got any blow?” she wandered

Volkswagen vans
tents and balloons
music won’t start for awhile
“the stage collapsed, there was a storm!”
i guess, they said Jerry’s spirit was truly alive!
venue after venue
grill to grill
in the open field

port-a-johns and water bottles
i found the experience
seeing the magic in everyone’s eyes
lots of walking and talking
you’re cool on top of the hill
listening to Robert Hunter off in the distance
reading his poetic words
talking to strangers

it’s the world’s biggest tailgate party
before the show even starts
Dylan packs a punch…he delivers
his raw but honest voice
roaring    piano    guitars
“Hard Rain Gonna Fall”
“Don’t Think Twice It’s Alright”
twisted a bit and thrown out with an edge

powerful sound    truly great

break

time for lemonade and pretzels
mustard and a t shirt purchase

they come out
crowd roars afoot
jamming right into it
as if 30 years never went by
“Let The Good Times Roll”
it begins
jams galore!
“St Stephen…Dark Star…Not Fade Away
The Other Ones”

new and old
two sets
thousands of balloons
crazy drums
“Sugaree” (a big hit)

i left early to beat the crowds
bought a copy of the show later on my computer
it was a soundboard recording of The Dead

then I listened to it
…one more time

 

LIVE “CD/TAPE” CHOICE

I own several of the Grateful Dead Dick’s Picks series, and I must say with most certainty that Volume 8 is my favorite. It was recorded at a little known college in New York in 1970, when they had their best lineup, IMHO. Pigpen was still there in his prime. He was one of their best keyboardists.

This gig opens up with an awesome acoustic set featuring exquisite versions of some Dead classics that you don’t hear much. (“Don’t Ease Me In”, “I Know You Rider”, “Dire Wolf”, “Black Peter”, and “Deep Elem Blues” are some real treasures here.

For the folks only familiar with popular Dead songs, cool versions of “Friend of the Devil” and “Uncle John’s Band” are included in this fine show. This first set is almost flawless – rarely will you hear the Dead this on-target and synchronized.

There is some tuning issues and bantering but i like it raw. But that’s not all, they come back on the second disc with almost 40 minutes of Cryptical Envelopment which starts off with St. Stephen, some Drums and of course, The Other One and finally concludes with Cosmic Charlie.

They follow that little marathon with the most supreme version of Casey Jones that I have ever heard before. On the third and best disc, Pigpen steals the show with his nice blues-version of a James Brown hit, “It’s A Man’s World.” It goes on for almost ten minutes. A really groovy version of “Morning Dew” follows (but I don’t think I have ever heard a bad version of this song)

The spotlight of this disc and the whole show is the glistening “Viola Lee Blues” that rises to not one, not two, but three peaks in an acid rush sense. Then eases down with a rather lengthy version of “We Bid You Goodnight” – most likely because the crowd just won’t let them leave. But after hearing this show, you’ll understand why.

If you even kinda like the Dead, then I totally suggest you hear this live show. I own lots of Dead, but this one gets played more than any of them. It shows them at their absolute most versatile. This is some of the best music you’ll ever dig. But of course it’s only my opinion.

I was stabbed by a pitchfork festival

It began with a car ride
Into the city
On a warm and pleasant
Friday afternoon

Water bottles
Blanket
And a backpack

Don’t leave the ticket on the dashboard
Time to go for a hike
Through the concrete jungle
Then stand in line
Before the Pitchfork gates

Is this the right line?

The music vibrates in the background
As bags are checked for cannabis
Paraphernalia and weapons
Bar codes are scanned

“That’s a really colorful looking blanket,” the old man says

Port-O-Johns are everywhere
Some serious shit is about to start!

A basketball court
Is a social one?
With vendors
Giant Twinkie Man dancing around
Long line for a free shirt
Silk screened
Cool graphic arts
Ice cream
Cupcakes
Video games

All of this enjoyed without spending
A single dime

Guy waving a NICE big flag
Handing out granola bars
Saving the wallet from depletion

A couch made out of green grass
They’re giving away sweat bands and bandannas
Stickers
Free codes to download
Local tunes

If you want to drink beer
Buy tickets
Get a bracelet

Big pretzel
Sitting on a pool
Of Wisconsin beer cheese
Johnny Appleseed
Made some hard cider
Yummy

Hipsters with beards
Gothic girls in black
Tight leather pants (in the humidity)
Wild colorful hair
Tattoos galore!

A young man reciting poetry
At a tent
Extremely long line
To fill up your empty bottle
With some pure water

It’s a festival for three days
Positive vibes are promoted
Comfortable atmosphere
Many fun experiences
There are maps
Helping everyone figure out
Where to go
Or get lost at a record show
With over a dozen vendors
Selling their wax covered goodies

Three stages
Over forty artists and acts
Tons of music

There are unique and rare finds
Treasures
Its for the music lovers
Getting exposed to some really cool stuff

Who is this band?

Neneh Cherry…did you know she’s related to Eagle Eye? She’s only played in the U.S. one other time? That’s crazy! She played her nostalgic tune “Buffalo Stance” from the late 80’s in a very modern rhythmic way. But she also promoted her first album in 18 years that is really funky, smooth, jazzy, soulful and kind of trip-hop. By the way…I met her and got her autograph. It was cool.

Sharon Van Etten…her music is gloomy especially for this summer fest. But you know what? Who cares! She was awesome!! I totally dig her albums! ARE WE THERE and TRAMP where worth showcasing? She has a pretty voice and plays the guitar rather well. AWESOME!

Avey Tare’s Slasher Flicks…weird music side project of the band Animal Collective!

Circulatory System…really heady music and psychedelic stuff in a Beatles dipped in an acid bath sorta way. But good.

Beck…hushed melancholy of new and then jacked up energy of his wacky old hits! (it worked!) I’m a loser Beck so why don’t you THRILL me?

Cloud Nothings…I dig thier stuff, just a little boring for me….live anyway.

tUnE-yArDs….nothing like I ever heard before! British girl named Merrill Garbus. When she’s performing her art live, Garbus creates trippy drum loops on the spot, and combines these with the ukuleleas well as vocals, in addition to electric bass. But its really tribal sounding. Like Jamaican or African sounding but also really poppy!

Hundred Waters….similar to Sigur Ros but more feminine and its like dream pop and relaxing.

Factory Floor….definitley sounds really acid housey and some audience members decided to participate in the fun! Check out this clip: http://youtu.be/C2pEmFzW3Ik

Giorgio Moroder….he’s a living Italian legend. Godfather of EDM and synth disco! He mixed up some cool Donna Summers and Daft Punk tunes! The crowd went wild for him!

BUT NOW…..THE ONE….THE ONLY……ST. VINCENT!!!! Holy crap is she freaking awesome!!! Annie Clark is the best guitar player I have heard in more than a decade. She is such an actress on stage freaking out acting like a robot princess and then collapses on stage, drops her guitar, gets pissed off and then gets happy when a new guitar is presented to her. Lots of smoke, colors and thrashing on those fuzzy wuzzy guitars that she mechanically plays with such a rocking smooth attitude! She invents brand new sounds that most guitar noises don’t make. Best live show I have seen. Pink Floyd at soldier field 20 years ago is the only other show that was as good as this. And she only played for an hour. She’s a singer, songwriter and multi-instrumentalist. On stage she just had 2 other people: a drummer and co-guitarist/synth player to back up her wild and crazy show! My words cannot possibly do her justice. She WAS the reason I went to the Pitchfork Music Festival. Loved it!

 

Then I fell apart from my brain exploding
And then I shattered mentally
A night drive home with Syd Barrett tunes to comfort me
To sleep off the intense buzz
with memories of blissfulness
In my head……

Dum Dum Girls “filled” me with joy at the Empty Bottle

The Empty Bottle is simply a dive bar and a surprisingly relaxing and fun music venue located in Chicago, Illinois. This is one of the coolest venues for Chicago’s alternative music scene. The place hosts several kinds of music. There is plenty of indie-rock, punk, metal, rock’n’roll, hip-hop, electronic, experimental, ambience and jazz. This club/bar opened in 1992 and was originally a regular neighborhood bar. There’s plenty of CHEAP beer too! It’s like being in a large basement with brick walls and little coves that sneak around corners.

Pinball games, Ms Pac-Man arcade for only a quarter, a pool table and several water jugs strategically place all around the place with plastic cups stacked near them too. Its a nice gesture to offer free water to someone low on cash but just plain thirsty. They also just have a really nice space that’s conducive to having a lot of different experiences. It is hard to have a bad view of the stage where artists perform, whether you are early or late to the show. I definitely need to return.

Now let me cut right to the chase. My wife and I celebrated a special anniversary on this day of March 31st. We met on a train 7 years ago and celebrated by attending a Dum Dum Girls show. Who are they you ask? Dum Dum Girls are an American rock band, formed about six years ago. In the beginning, it was a bedroom recording project of lead singer and songwriter Dee Dee Penny in Los Angeles. She is currently living in New York City. I try to keep up with today’s music. These four talented females have very nice glossy melodies that you don’t hear from today’s bands. It rocks, it waves, it pounds through awesome songwriting!

This music they play is slick and focused. Post punk, garage punk, dreamy and pouty 80’s pop. That’s essentially how I would describe their music. Fuzzy guitar riffs, eyeliner distortion and 1960s girl-group sensibilities.Too True, their newest album, toggles between ethereal and punk, gothic and 80s dance party, and provides a strong and welcomed addition to the Dum Dum Girls catalog. The name pays homage to The Vaselines’ album Dum Dum and an Iggy Pop song called “Dum Dum Boys”. Dee Dee Penny’s stage name was not inspired by Dee Dee Ramone. It’s a coincidence.

Appearance-wise onstage they are quite a sight. Short skirts and long legs. Leather outfits. I am reminded of those imfamous Robert Palmer ADDICTED TO LOVE videos. You know? The ones with the sexy girls pretending to play guitars? Only these girls are most definitely playing vintage Silvertone guitars through glorious RAT amps. The stage is smokey blue with christmas lights dangling from the ceiling. A large BLUE lit up cut-out heart is draped in the background. Their microphones are donned with fiberoptic roses and spare red picks arranged all pretty-like. The whole thing was mesmorizing and a real nice trip back in time to that underground gothic-like and dreamy-like club.

Songs like “Too True To Be Good,” “Rimbaud Eyes,” “Lost Boys & Girls Club” and “Are you Ok” were intense highlights! DEE DEE and the ladies are obviously a big fan of the cooler music that came out of 80s/early 90s and it comes through in their music. Sometimes I am reminded of Chrissie Hynde (of the Pretenders) vocals. Penny’s voice is quite stellar. She opens up her sound on large and gorgeous ballads like “Coming Down.” The show hypnotized me and then I had to drive home at 1:00 a.m.

But I was left with incredible memories and hard rocking chicks! Here’s a video that gives you a better idea of their awesome sounds going down: