40 Years of Noe Uncategorized

#1996 #Tool #Aenima



I have been listening to Tool constantly since I first heard the Sober video and watched the twisted geniuses at work that created such a short film. Since then, as I grow and learn, the lyrics, which I used to study for each song and read over every once in a while hit me on new levels upon each reading. Their lyrics during my first reading leave the impression that this group supports all things “evil.” However, as the depth of reading and interpretation grows and evolves, the true meaning and genius of the lyrics is revealed.

This album to me is the epitome of the genius of Tool. I was sitting in my car one day and heard the song “Eulogy” start up. I listened closely for the first time to the introduction where each instrument comes individually. When I truly listened to it, I was in awe of the fluidity that the song works. Each instrument fades in individually, the strumming of the guitar is incredible, the drums, solemnly beating in the background are again splendid.

I cannot begin to describe my admiration for this band. Reading the interviews that Maynard has given and reading a small biography of him gave me so much respect for his vast intellect and his well read nature. He quotes Carl Jung during shows. From day one, their music has struck me as essentially what I would consider flawless vocalists of the human state and nature. The drums are splendid and so incredibly complex. The way that Tool uses the Bass guitar is incredibly impressive. Usually bands use the bass as a background instrument, but Tool brings it to the front to further drive their message into the soul. The lead guitars are amazing.

I cant begin to even describe how good Maynard is. He is truly a singer. Ozzy Osbourne (for example) is excellent in terms of being a rock singer, but Maynard has bridged the gap. He is truly a vocalist. He could just as easily be singing opera or jazz or whatever form of music you can think of. Maybe someday, people will be worshiping their music and his lyrics.
If anyone reading this commentary/review has never payed attention to Tool before, start now. This is the embodiment of all music that I have ever heard. It rivals in perfection in vocal music as what Amadeus Mozart did for instrumental music. That is all i’m going to say, and I doubt that anyone has read this far.

If so, please comment. Thank You


Concert Review: Puscifer Ignites The Cadillac Palace

4423948Tuesday night at 151 West Randolph Street in downtown Chicago; tattoos, leather jackets, cigarettes, nose-piercings, long haired-hippies and dudes wearing Tool t-shirts were standing outside of the Cadillac Palace. Once an old home to Vaudeville and now a place for pre-Broadway shows this place looked a little different last night. Sometimes, an act like a rock band named Puscifer comes here to “perform.”

The band is a side project of frontman, Maynard James Keenan (normally a part of the band Tool, hence the t-shirts). He knows a thing or to about putting on a dramatic performance. The show began around 9:00 pm and things started off with a small projected screen of Keenan and others dressed like redneck cowboys with an ignorant attitude and a comical documentary about a fake band. Keenan came out onto the stage with a cheering crowd yelling out his name. He wore a black cowboy hat, black cowboy shirt, and big sunglasses. Maynard was setting up a camp on the stage while chatting with the crowd. It was funny how he was dragging around this silver trailer.

The stage eventually contained a picnic table, camping lawn chairs, wine glasses with a bottle of wine next to them and the band members casually drank the wine throughout the show. A fake rattle snake was placed out in front.

So he opens the door to the trailer and lets out a brunette girl named Carina Round, who is a British singer and guitar player. Earlier, she was the opening act. She helped Keenan set up some more stuff on the stage like a drum kit and really cool looking microphones. The true genius of this show was about to begin.

A gigantic screen filled the walls and floor to ceiling that stood behind Keenan and Round. All during the night, several images drifted through it. Bizarre desert landscapes, oceans, clouds, colored bubbles and faces were popping in and out of the screen. It looked really cool as their shadowy figures danced back and forth in a ritual-like motion. The two of them were perfectly harmonizing together. Both have quite strikingly beautiful voices that blend with the industrial sounds of guitars and drums strumming and beating away. It was hypnotic, trance-inducing and alarming to watch and listen to.

They were promoting the new album, “Conditions of My Parole.” I know I already stated this but Keenan performed like a champion. The music and theatrics were simply amazing! this 2 hour show left me dazed but not confused. I was filled with enthusiasm. My wife Denny was so enthralled watching this show. Probably her favorite rock show to date.

Ultimately, there was this cool Arizona desert vibe while camping outdoors with a fire pit and drinking wine while jamming in a rock noir fashion. That is how I felt and I think Maynard was also promoting his wine that he makes in the Arizona desert. So there you go, a little plugging while plugged in and jamming. Can’t wait to see what He has in store next for the band Tool or any other unusually fitting Maynard James Keenan project. Just as long as Carina sings backup with him. She was quite a performer too.

So that’s my review, I hope you enjoyed it! Until next time,

C-Note signing off

Top Ten of Ten

Top Ten of Ten: #9 Tool…..Lateralus (2001)


So I have a guy named Matt Duve to thank for getting me into the band Tool. In high school he would periodically loan me tapes to listen to. When I first heard the album Undertow, my life changed. Flash forward to the year 2001. The album Lateralus is released during a time when our country was invaded by terrorists. However, I was personally moved and deeply touched by Maynard and the gang in a very positive way. Everything about Tool’s fourth album is an experience, starting with the packaging, which consists of liner credits printed on a translucent plastic sleeve over the CD and a booklet that layers anatomical representations atop one another. The first page pictures musculature and blood vessels; the next, bones; the third, internal organs; and so on. It’s worth describing the packaging of Lateralus because it says much about the astonishing music within. While it remains in the Tool tradition of trance-inducing progressive metal, Lateralus is tighter, clearer, crisper, and all around a notch above their admirable previous releases. Aenima was flawed by muddy production and a certain predictability. Don’t get me wrong, I truly enjoyed that album. Undertow had a cleaner sound but wasn’t as confident or adventurous. It was an adventure in high school that catapulted me into the world to begin my Tool adventure but I have moved on since then. With Lateralus, Tool have raised an already lofty bar still higher by coming up with a collection that kicks major ass. Lateralus, like I said was released in 2001, it has got to be one of the more groundbreaking musical releases since the mid-80’s and early 90’s. Lateralus is a long, well thought out musical masterpiece that draws parallels to Pink Floyd’s “Dark Side of the Moon.” This whole record is just full of amazing progressive rock and it is nearly impossible to fathom that human beings actually wrote and then performed this type of music. Every song has layers and sub-layers and sub-sub-layers. You do not listen to this album…you surrender yourself to it. The experience of Lateralus penetrates deeper than the brain — it is deeply spiritual and uplifting. Nothing comes close to obsessing my world of the first decade of the 2000’s like this one. TOOL ROCKS!